Anna paquin young how to#
Anna paquin young movie#

A few weeks later, she was called back for a workshop/audition in Auckland.

Memorizing posed no problems, she asserts, and the taping went without a hitch. Paquin, as one of three finalists, was instructed to return in two days to read a passage. You had to be able to pass-or, at least, be short enough-to be Holly Hunter’s daughter.”įive thousand girls showed up for the session. They needed to find girls who looked the right way. ‘Come to blah, blah, blah at such-and-such a place,’ they told me. My father said if I was interested I’d have to ring up myself. “Though I never acted before, when I heard both of them were trying out, I wanted to go, too. “Two years ago, my sister ran into a friend who had seen a story in the paper announcing auditions for the part,” says Paquin who, despite the California sunshine, is sporting a green turtleneck, red sweater and floral hat in an effort to fight off the flu. But when it comes to delineating the chain of events that led her to the project, she rambles on nonstop. Thank you, Carol Ballard, for this beautiful gift of compassion and belief.Ask about her dramatic technique, her co-stars Hunter, Harvey Keitel and Sam Neill, or her opinion of the highly acclaimed film-the story of a mute Scottish woman involved in a highly charged love triangle in 19th-Century New Zealand-and Paquin merely shrugs. Something that happens so effortlessly, because the story that comes before has been told so completely and with such skill.

The final sequence is a thing of sublime, subtly powerful beauty that is rarely seen in movies these days.

Anna paquin young movie#

The quality of the work is such that much of the dialogue in the movie seems spontaneous and almost ad libbed. Especially in the sense that none of the actors ever seem to be pulling anything out of their 'bag of tricks' or doing some bit you've seen them do before. This theme is supported with such unerring consistency in the music (Mark Isham at his most sublime), the cinematography, editing, lighting, art direction and casting. It seeps out of the story through the masterful, chekovian performances of Anna Paquin as Amy and Jeff Daniels as her father.

Simply put, the story is about the geese, but it's really about Amy's recovery and reconnection with her future, with her life, though there isn't one line of dialogue explaining that to the viewer. Ballard resists the temptation to explicate the transcendent story of Amy's emotional triumph over her loss and grief. The great difference between this movie and other movies of its type is that Mr. The discovery of an abandoned nest of Canadian geese eggs is the simple overlaying metaphor that takes us on her journey.

Anna paquin young how to#

Everything is harnessed to tell the story (a basic element of drama surprisingly ignored these days in Hollywood) of a girl who loses her mother at a critical point in her life, and has to find a way to the rest of her life, while reeling from the trauma and uncertain of how to survive her grief. But, surely, it all comes down to the great story-telling ability of Mr. It's difficult to pin-point which of the masterfully developed elements of filmmaking that make this movie such a joy to watch again and again. That is the over-arching and powerful theme that 'Fly Away Home' manages to evoke so beautifully. Especially, when that loss is abrupt and occurs at an age before one has developed the capacities to manage it.

The greatest challenge any of us will ever face is how to regain the ability to reach for joy after the loss of a loved one.